As a photographer, you sometimes have to improvise in a major way. Meaghan and I hired a particular studio at Dance Base Edinburgh because of a really interesting piece of art on one of the walls I intended to use as background. But when we entered the studio, that piece of art was no longer there. It was difficult for me to conceal my bitter disappointment, but there was nothing I could do but try to make the session a success after all.
It is not straightforward to light paint reflections, but when it works, I love the results.
Since the studio also had a mirrored wall, I decided to start with a couple of set ups involving Meaghan and her reflection. I knew from a previous light painting session with Karen that I could get some nice pics out it. And it gave me some time to think about what to do next.
When people ask me what they should wear, I always answer ‘something colourful’! I give top marks to Meaghan for the outfit. Really works well with the background.
When I noticed the wood texture and the two windows, I knew I had my next background. We tried a number of poses and those are my favourites. Meaghan did an incredible job of standing still while I light painted her.
When light painting, it doesn’t take much of a background to add interest to the photo. That’s one of the things I love about light painting.
By then I felt I had some nice pics and I could therefore afford to experiment a little bit. I had seen some pictures of people posing in a chair like Meaghan does in the photograph below, and I wanted to see what this kind of pose looks like when the subject is light painted.
One of the benefits of having the subject sitting down on a chair is that it makes it easier for the person you are light painting to stand still.
We also tried a number of poses with Meaghan down on the floor. I didn’t really care for most of them, but this one below was a really nice surprise to me. I quite like it. Let me know in the comments which photograph in this blog post is your favourite.
Going for a spotlight effect, with the light coming down. But I always light the face using butterfly lighting, for a more flattering look.