Light Painting in Old Town Edinburgh

The area of the Royal Mile is replete with photo shoot locations. It is unfortunately rather busy during the day, but much less so at night when I do light painting.

I connected with handpan player Milly and we headed to Fisher’s Close, an area I had scouted online. I took my time to find my composition, which is especially important for light painting given how long it takes to shoot all the frames for a single image.

Milly Hoddo at Fisher's Close, Edinburgh
In composing this picture, I had to avoid some distractions to the left of the frame, and I always strive to place the head of the person I photograph “in a clean spot”.

If I had to shoot this again, I would try different pose for Milly, as I’m not quite happy with the pose I chose at the time.

We then  headed to St Giles Cathedral. I had done some light paintings at that location before, but I was not entirely happy with the results. Since we were in the neighbourhood, I decided to have another go at it. Fortunately the lights were off so it afforded me a lot of leeway in choosing my camera settings. It’s pretty easy to turn the lights on in Photoshop.

Milly Hoddo at St Giles Cathedral, Edinburgh
I went for a symmetric composition which meant I had to light paint the background as symmetrically as possible.
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