Straps Shoot and Light Painting with Zoja

I had met Zoja during the shoot with Jusztina of Delighters Theatre, which is the topic of an older blog post. Zoja trains and teaches at Room to Move, Edinburgh, so we decided to shoot there. We did a couple of photoshoots, separated by about a week.

The location is quite challenging to shoot in, because of all of the “clutter”. Parkour equipment, mats, hoops, bicycles, etc… make it difficult to get a “clean” background in the photos. The solution is to underexpose the said background so much that it effectively becomes black.

A couple of set ups involved aerial straps. For the first one, I used two rims lights (speed lights placed left and right slightly behind Zoja) to show the straps and the third speedlight in front to light her face. I couldn’t use a light modifier as it would spread the light enough to reveal the cluttered background.

Circus artist Zoja Dravai on straps
The placement of the front light required some care, to avoid spillage onto the background and bad shadows from the straps.

Given the partly translucent nature of Zoja’s outfit, I thought I’d try to change the lighting set up, putting the third speedlight behind her. I like it better.

Circus artist Zoja Dravai on straps
The lighting is more contrasty with this set up.

The second strap set up involved Zoja spinning. I used simple cross lighting. One light in front to camera right and the second one behind to camera left. You can tell by the shadows on the ground.

Circus artist Zoja Dravai spinning around
I needed to time my shots carefully. I couldn’t use the motor drive on my camera because of the recycle time of the speedlights.
Circus artist Zoja Dravai spinning around
I changed the colour of the floor in post-production.

Zoja had brought a number of costumes for light painting. In order to add some interest to the photographs, we used some of the parkour equipment.

Light painting of circus artist Zoja Dravai in a silver costume
I usually like to start light painting sessions with the subject sitting down as it makes it easier to stand still, but rules are meant to be broken.
Light painting of circus artist Zoja Dravai in a silver costume
Slightly different pose. I prefer the posing of the hands in this one.
Light painting of circus artist Zoja Dravai in a silver costume
Hiding the wooden box works better.
Light painting of circus artist Zoja Dravai in a silver costume
My favourite.
Light painting of circus artist Zoja Dravai in red costume
I used some of the parkour set up as leading lines.
Light painting of circus artist Zoja Dravai in red costume
I like the light painting of the background elements better in this pic.
Light painting of circus artist Zoja Dravai in red costume
This pose allows one to see an important element of the costume.
Light painting of circus artist Zoja Dravai in red costume
My favourite.
Light painting of circus artist Zoja Dravai in a gold costume
Plenty of shapes and lines in this composition.
Light painting of circus artist Zoja Dravai in a gold costume
Don’t mess with Zoja!
Light painting of circus artist Zoja Dravai in a gold costume
My favourite.
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