Creative Portraits and Chains with Zoja

Zoja Dravai is a circus artist from Hungary. One of her specialties is aerial chains. For our second collaboration (the first is described here), she was interested in getting some promotional pics for her chain act and I was looking to experiment with some new lighting set ups.

On the first day we showed up at Room to Move for the chains shoot, it turns out the place was busy with a breakdance class. Portraiture doesn’t require a big space to shoot and I could take pictures without disturbing the ongoing class. We decided to try some experimental portraits. Luckily, I had brought some fabrics with me. Zoja had some too.

I always wanted to try the “light through fabric idea” to create a pattern on the face of the model. With Zoja’s gold fabric as a background, I’m quite pleased with the result.

Portrait of Zoja Dravai with gold background
I really like the effect of the projected pattern on the face of the model.

For the next set up, we went dark and moody.

Profile portrait of Zoja Dravia with a black veil on her face
Two speedlights in softboxes, left and right, slightly behind her to create this moody portrait.

When I saw the picture above on the LCD screen of my camera, I thought of doing some in camera double exposures.

In camera double exposure portrait of Zoja Dravai with a black veil on her face
Wish the neck would be a bit wider, but not too  bad for a first attempt.
In camera double exposure  portrait of Zoja Dravai with a black veil on her face
I like the mirror expression too.

Next, we moved to a white fabric. Next time around, I would like to try a white outfit for the model and a white background, for a more high key feel.

Profile portrait of Zoja Dravai with a white veil on her face
Two speedlights in softboxes left and right slightly behind Zoja.
Profile portrait of Zoja Dravai with a white veil on her face
Looks like a tear in her eye.
Profile portrait of Zoja Dravai with a white veil on her face
There are so many variations possible with this set up.

This next in camera double exposure series was inspired by a Joe McNally photograph of Steve Martin. Zoja can really act too.

In camera double exposure of Zoja Drive with two different expressions
Opposites attract.
In camera double exposure of Zoja Drive with two different expressions
The calm after the storm.
In camera double exposure of Zoja Drive with two different expressions
My favourite of the series.

We then met about a week later, when Room to Move was free, for the chains shoot. I wanted to try having the two back lights in the frame.

Aerial chain performance with Zoja Dravai
This really hurts.
Aerial chain performance with Zoja Dravai
Lighting the model without revealing the background (and the clutter in it) is quite a challenge at Room to Move.
Aerial chain performance with Zoja Dravai
Zoja’s favourite of the series.

After the aerial shoot, I just couldn’t resist trying another set of in camera double exposures with the chains this time.

In camera double exposure of Zoja Dravai and chains
I changed the colour of the chains in Photoshop.
In camera double exposure of Zoja Dravai and chains
This is the original, shot with a red gel on the chains.

 

 

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