Tag Archives: multiple

Edinburgh International Festival: Colour Abstracts

Circus Hub is one of the most colourful attractions at the annual Edinburgh International Festival, which is why it immediately got my attention.

Colour abstract obtained with camera movement

For this photo, I stood in front of a colourful wall and moved the camera up and down during the 1/4 sec exposure

When I see a colourful subject, I like to explore abstract pictures using camera movement during a long exposure or in camera multiple exposures. It is a taste I acquired by following one of my favourite photographers, Bryan F. Peterson.

Colour abstract obtained with camera movement

As the ambient light level fell for some time, I was able to use longer shutter speeds, like 1 sec for this photograph. Along with the up and down movement, there was also a little bit of sideways motion to add to the blur.

With this particular wall, I first tried camera movement. The brightness level of the ambient light varied quite a bit while I was taking photographs, which is pretty much par for the course in Scotland. I was able to use shutter speeds between 1/4 sec and 1 sec. I had the most success moving the camera up and down or up and down and a little bit sideways.

Colour abstract obtained by rotating the camera between each of the three exposures, and combined in camera

For this picture, I rotated the camera clockwise by about thirty degrees or so after the first and second exposures.

I next moved to multiple exposures. I had the most success when I rotated the camera between each of the three exposures. It took a bit of experimentation to get something I like but it’s always fun to do.

Colour abstract obtained by rotating the camera between each of the three exposures, and combined in camera

For this photograph, I rotated the camera a bit more. I believe I took one pic horizontal, one at forty-five degrees and one vertical.

Next time you find a colourful bed of flowers or painted wall, why don’t you try some camera movement and multiple exposures. I warn you, the process can be addictive.

Colour abstract obtained by rotating the camera between each of the three exposures, and combined in camera

I moved to a different part of the coloured wall, and tried again the horizontal, forty-five degrees and vertical shots.

Autumn Forest Impressionism

Impressionist photography is one of the personal projects I’ve been working on for the past couple of years. And since autumn is my favourite season, photographically speaking,  I strive to take as many impressionist pictures as I can during the fall.

Multiple in camera exposures of a tree in a fall forest

I immediately noticed this tree. I was attracted by the pastel colours.

One of the techniques for rendering impressionist pictures involves in camera multiple exposures. I learned it from one of my photographic heroes, Bryan Peterson.

Multiple in camera exposures of a fall forest to create an impressionist photograph

The leaves were backlit, an ideal situation. And I figured the touch of red/orange would make the picture ‘pop’.

Working in the forest, I found that moving the camera down a little bit after each frame produces the most pleasing results. How much movement is a matter of taste and also depends on the focal length of your lens. The photographs in this post were taken with a 35mm lens on a DX camera, corresponding to a 50mm lens for a full frame sensor.

Multiple in camera exposures of a fall forest to create an impressionist photograph

It is harder to get the overcast sky out of a vertical composition, and I believe this is the reason I have fewer of these. But I’m very pleased with this one.

A bit of experimentation is in order, and with practice, you develop the muscle memory that allows you to generate impressionist photographs of your liking without much trial and error.

Multiple in camera exposures of a fall forest to create an impressionist photograph

I took a picture from pretty much the same vantage point the year before, but the colours are never quite the same from year to year (or week to week for that matter)

But even with the practice I’ve got under my belt, I always take several pictures of a given composition to make sure there is at least one I really like. If your cameras allows for multiple exposures, I would encourage you to give this technique a try.

Multiple in camera exposures of a fall forest to create an impressionist photograph

I try to find compositions with a pleasing arrangement of trees. It’s harder than you think.