Category Archives: Edinburgh

Dance Photography at Dance for All: Kirsty

A while back, I met with Kirsty for a dance photo shoot at Dance for All, on St Stephen Street in Edinburgh. The main studio was a little different from what I was used to as it was surrounded by mirrors and windows. Mirrors are a real challenge when lighting a subject, and also limit your shooting angles since you usually don’t want the photographer to appear in the shot.

Dancer at Dance for All, Edinburgh, lit from both sides and slightly behind

I asked Kirsty to look in the direction of one of the lights, in order to avoid nasty shadows on her face. I loved the lights in the background and I think they really add to the composition of this image.

In the photograph above, I deliberately underexposed the background to hide the clutter in the studio. I had two speed lights on the left and right of Kirsty, slightly behind. This is one of my favourite lighting set ups.

Light painting of dancer in front of mirror at Dance for All, Edinburgh

I chose to warm the colours in the photograph to complement Kirsty’s top and shoes and provide good colour contrast with her blue shorts.

As the studio could be made dark enough, I couldn’t resist doing some light paintings as well. I first tried a variation of my ‘lone dancer and the mirror’ image, with Kristy turning her back on the mirror rather than facing it. I added a bit of ‘grit’ in Photoshop and I’m quite pleased with the final result.

Light painting a dancer on a chair, facing away from the camera. Picture taken a Dance for All, Edinburgh

I really like this pose, but next time I’ll make sure one can see the dancer’s hands

I had only done our last set-up once before, and I therefore was looking forward to getting some more practice. In hindsight, I should have asked Kirsty to wear something more colourful, as the black clothing doesn’t provide enough separation from the black background, in my opinion.

 

Light Painting Dancers Chanelle and Charmagne

I’ve been light painting dancers for some time now, and I believe I have honed my technique for a few set-ups, as in the ‘lone dancer at the bar’ one you can see below.

Light painting dancer at the bar in front of mirror. Dance Base, Edinburgh

I really like this set up and most dancers like it too. The reflection in the mirror adds visual tension to the image.

Light painting dancer at the bar in front of mirror. Dance Base, Edinburgh

The challenging bit of doing such a light painting is getting the back light (highlight rim on the hair) right. You’ll definitely know what I’m talking about if you try it.

The light painting technique gives my images a distinct look that helps the photographs stand out amongst the deluge of pictures we are exposed to every day. I can therefore give my clients an edge in getting noticed.

I’m always looking to expand my light painting repertoire. It is quite the obvious step to experiment with light painting two people instead of one.

Light painting two dancers at the bar in front of mirror. Dance Base, Edinburgh

Eventually, I figured that the best way to light paint this set up was to first light paint Chanelle (in front), then ask her to move away so I could light paint Charmagne (at the back)

Usually, I ask my subjects to stand against something, sit on a chair or hold on to something firm, as it helps them stand still while I light paint them. During that light painting session, we experimented with removing any of these ‘helpers’ to see what happens. The light painting session was nearing its end and I knew I already had some good shots. Under these circumstances I like to try something I’ve not done before, to see what happens. Chanelle and Charmagne held hands as they stood away from any walls or chairs.

Light painting two dancers standing  in the middle of the Dance Base studio while holding hands

I left the pose up to the dancers as it is their domain of expertise, while I concentrated on the light painting.

As could be expected, without anything to lean on, both subjects moved more during the light painting than what I’m used to. But thanks to the uniform dark background, it was relatively straightforward to fix this problem in Photoshop. The next step is for me to figure out how to do that with a more detailed backdrop. I look forward to trying this out.

 

 

Dance Photography: Shadow Dancers

The word photography has greek roots and means ‘drawing with light’. But shadows can be your best friend. In fact, it is the combination of light and shadows that creates compelling imagery.

dancer and shadow on a light coloured wall at Dance Base, Edinburgh

This is one of my two favourite images from this set-up. I really like the fact the shadow comes really close to the left edge of the frame, as it creates visual tension.

On this dance photography shoot with Charmagne and Chanelle, I decided to explore the use of shadows. With a light coloured wall, it is possible to project a distinct shadow of the dancer.

dancer and shadow on a light coloured wall at Dance Base, Edinburgh

In this image the dancer’s body shape is very similar to the one in the previous photograph, yet I don’t think this image is as strong. I believe it is because of the different spatial relationship between the dancer and her shadow.

Dancers can create very photogenic shapes with their bodies. The combination of the dancer and her shadow, as a form of visual echo, creates a more three dimensional feel to the photographs.

dancer and shadow on a light coloured wall at Dance Base, Edinburgh

Like in the first photograph of Charmagne, at the top of this blog post, this image of Chanelle has her shadow close to the left edge of the frame. It is probably no coincidence that this is the other of my two favourite pictures from this set-up.

I wish we had more time to explore this set-up, because I feel I’ve only scratched the surface of what’s possible. Hopefully, I’ll get the chance sometime soon.

dancer and shadow on a light coloured wall at Dance Base, Edinburgh

The shape of Chanelle’s body is very appealing from the graphic standpoint. The triangle shape formed by the legs and the implied triangle formed by the arms. But somehow, the combination of that shape and her shadow isn’t quite as compelling as in the previous photograph.

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Real Estate Photography: Stockbridge, Edinburgh

You always want to put your best foot forward. If you have a property to let or for sale, you want to showcase it in the best possible light (photography pun intended). A photographer who specialises in real estate will produce images of a quality you are not going to achieve taking the photographs yourself, even if you have a very good camera.

Living room in Stockbridge, Edinburgh

Beautiful living space. Bright and spacious, lovely view to the outside and featuring a gorgeous Moroccan rug.

A while back I was asked to photograph a property in Stockbridge, Edinburgh. It was clear that the most attractive room of this lovely flat was the living room, shown in the picture above. Spacious, with a gorgeous Moroccan rug and lovely view to the outside. This was used as the cover photo to market the property.

Living room in Stockbridge, Edinburgh

I needed to show the lovely fireplace I could not include in framing the previous photograph.

I obviously took a few photographs from different angles to showcase all of the features, such as the fireplace in the above photo. The dining area can be seen behind the couch in the leading image and I clearly needed to show it in more detail.

Dining area in living room. Stockbridge, Edinburgh

I felt this was the best angle to showcase the dining area.

Dining area in living room. Stockbridge, Edinburgh

I consider this to be a ‘documentary’ photograph, because it’s purpose is to show the dining area from the other angle, so the real estate agent knows what’s in the property. The previous picture was used for marketing purposes, not this one.

It is also important to showcase the bedrooms. After all, we spend a good portion of our lives asleep.

Bedroom in Stockbridge property Edinburgh

My favourite photographs are those that are backlit, with the window in the frame. I love the mood backlighting creates.

Master bedroom in Stockbridge property, Edinburgh

I absolutely love the pastel colours in this master bedroom. This was the strongest photograph of the bedroom and the one that was used for marketing purposes

Master bedroom in Stockbridge property, Edinburgh

A ‘documentary’ photograph of the master bedroom to show the storage area. This photograph wasn’t used in the marketing of the property.

Single (or child) bedroom in Stockbridge, Edinburgh

Once again, the strongest image of the room turned out to be the backlit one. This is the photograph used in the marketing of the property.

Single (or child) bedroom in Stockbridge, Edinburgh

The ‘documentary’ photograph used to give the estate agent a complete view of this bedroom.

Potential tenants or buyers will get their first impression of your property from the photographs on your website. An attractive looking property is likely to get more visits. Because of the limited supply, there is just one property like yours, an increased interest or demand is going to lead to a higher sale price. A mere one percent increase in the price will more than cover the cost of hiring a professional photographer.

Guest room of Stockbridge property, Edinburgh

Another room in the flat that can be used as a living space or guest bedroom.

The bathrooms and kitchen may not be the most important rooms of a property in many people’s mind. But showing immaculate bathrooms and kitchen should not be overlooked. Would you move into a property with an unsanitary kitchen and/or bathrooms?

Kitchen in Stockbridge flat, Edinburgh

Well designed and spacious kitchen, looking immaculate.

Bathroom in Stockbridge flat, Edinburgh

First bathroom. Absolutely spotless.

Bathroom in Stockbridge flat, Edinburgh

Second bathroom. Looking great.

Most of the time, my picture of the hall doesn’t get used in marketing the property, as halls tend to be rather dull. This flat was a notable exception.

Hallway in Stockbridge flat, Edinburgh

I framed the photograph this way because I really liked the striking effect of the red wall.

 

 

 

 

 

Urban Impressionism: Edinburgh Tour Buses

The use of camera movement and/or zooming during a long exposure is a technique I learned from one of my photographic heroes, Bryan Peterson. It takes experimentation to figure out which photographic subjects are likely to produce interesting images.

Edinburgh tour bus, impressionist photography using zooming and camera rotation

I really like this old style tour bus and I was delighted I could capture an impressions picture of this wonderful subject.

So a while back, I decided to try out this technique in an urban setting, namely central Edinburgh. I was quickly intrigued by the many colourful tour buses going by.

Edinburgh tour bus, impressionist photography using zooming and camera rotation

I love the colour red as it is an attention grabber in photographs.

The images in this post were taken with an exposure of 1/8s, turning the camera while holding the zoom ring. It takes quite a bit of practice, and I had to try my luck on a lot of passing cars and buses to get the three images you see here. I really look forward to trying this technique on other urban photography subjects.

Edinburgh tour bus, impressionist photography using zooming and camera rotation

This tour bus seemed to go by at a higher frequency than the others, and I therefore had multiple attempts at a “bus impression”.

Music Photography: Diving Station

Manchester based band Diving station are releasing their first EP today at Aatma, 14-16 Faraday St, M1 1BE. I was fortunate to photograph them last August when they visited Edinburgh.

Manchester based band at Silverknowes beach, Edinburgh

Diving station at Silverknowes beach, Edinburgh. From left to right, George Burrage, Sean Rogan, Anna McLuckie, Barny Kimberley.

I really love long exposures of seascapes, because of their effect on water and clouds. I had dreamt of combining a long seascape exposure with people in the shot, and when I proposed this idea to Anna McLuckie, the lead singer, she was very enthusiastic. The picture above consists of two photographs, one with a relatively short exposure to get the band and a second frame taken without the band but with a two minute exposure. It was a typical Scottish summer day (that was the only day where the band was available for a shoot), but I knew that if we waited until after sunset, the light would be soft and there would likely be some colours in the sky. I’m quite pleased with my first attempt at a photograph of this nature.

Manchester based band Diving Stattion at Silverknowes beach, Edinburgh.

I like unusual compositions, and since the sky over Silverknowes beach looked really interesting, I decided to give it the lion’s share of the frame.

Manchester based band Diving Stattion at Silverknowes beach, Edinburgh.

More conventional composition this time. I always shoot these.

The band logo has a lot of blue in it, so I wanted to give the other beach shots a blue colour cast. This is easily done by setting the white balance of the camera to tungsten and lighting the band with an off camera flash and CTO “orange” gel on it to give them proper skin tones. I worked a number of compositions with two of them shown above.

The photo shoot started earlier in the day, in a stairwell, believe it or not. These kinds of locations are a blessing and a curse at the same time. I’m sure you get the curse part, but the constraints imposed by locations like these allow one’s creativity to be pushed, and one’s frame of mind to be stretched. I’m always up for a challenge.

Manchester based band Diving Station group shot, straight on

The more people in the picture, the harder it is to get everyone looking good. Fortunately, every band member liked this photo.

I always need to warm up at the beginning of a photo shoot, and so we started by taking very straightforward band photos.

Manchester based band Diving Station group shot, from above

I always try different angles, either from above or below.

Then I started looking for different angles.

Manchester based band Diving Station, "behind bars".

I always look for elements of design such s lines. The stair railing offered an opportunity to frame each member of the band. I also liked the pipes above their heads and therefore included them in my composition.

And compositions.

Manchester based band Diving Station in a smokey stairwell

Adding smoke completely changes the atmosphere of the location. Pun intended.

I had brought with me a smoke machine, because I thought this could really add some atmosphere to the photos. One light behind to backlight the smoke and a light in front for the band.

Manchester based band Diving Station in a smokey stairwell

I love silhouettes, so I just had to try to light the band just with the backlight. I really like this moody pic.

After I get the “obvious” shot, I like to ask “what if..?”. For example “what if I switch off the main light?”

Manchester based band Diving Station in a smokey stairwell

When I sense I’m running out of ideas, I just try something. Anything. So I put a bare speedlight on the stairs, camera right, just to see what would happen. Lucky me.

Usually, a number of mistakes occur when I start working my subject and lighting. Fortunately, some of them turn out great. At the time I didn’t think much of the shot above. I think it was because it wasn’t what I really was after, but the band immediately liked it. And I have to say it has become one of my favourite shots of the day.

Manchester based band Diving Station in a smokey stairwell, "behind bars".

Since I liked this composition, I decided to revisit it with a different lighting set up and the smoke.

With the smoke and more moody lighting scheme, I explored some of the earlier compositions. I never thought you could have this much fun with a smoke machine in a staircase.

 

 

Real Estate Photography: Rennie’s Isle, Edinburgh

Rennie’s Isle is a wonderful location in Leith. It is close to The Shore, a lively area with many restaurants and pubs. It is also a short walk away from the Firth of Forth. It is ideal if you, like me, like strolling along the sea shore.

Living room in Leith Edinburgh, with amazing back light.

It was a lovely flat, and I needed to do it justice. With the windows in the shot, it was not possible to capture the whole dynamic range of the image in one picture. It took three photos blended together in Photoshop to produce this realistic looking image.

Professional photography for your property has quite a number of benefits that make it a worthwhile investment.

Bedroom in rental flat. Leith, Edinburgh

I really love back light, and this is my favourite shot of this bedroom.

Bedroom in rental flat. Leith, Edinburgh

For completeness, I always take a shot from an other angle if some aspect of the room is not visible in the first photograph. In this case, the mirrored wardrobe

The first impression of your property people are likely to get is from the pictures on your website. Showcasing the house or flat with good photography is therefore likely to elect more interest in viewings.

Bathroom in rental flat. Leith, Edinburgh

Professional photography can really pay off for bathrooms. You want them to be looking clean and fresh.

The more people you have interested in renting/buying your property, the more likely you’ll be able to rent it at the best possible price. It’s just the law of supply and demand, with limited supply.

Kitchen in rental flat. Leith, Edinburgh

A nice kitchen can be a wonderful asset in renting or selling your property. It should not be overlooked. And as in the case of the bathroom, you want it to look clean and fresh in your marketing photos.

Kitchen with dining table in rental flat. Leith, Edinburgh

It wasn’t possible to capture all of the features of this kitchen in one single photo. I therefore looked for another angle.

When you have more candidates, you’ll have more choice in selecting your tenants. Better tenants will better take care of your property, saving you money in maintenance and repairs.

Bedroom with lovely view  in rental flat. Leith, Edinburgh

The view from this bedroom is clearly a valuable asset. As in the case of the living room photograph, it took a number of shots blended together in Photoshop to create this image.

Bedroom in rental flat. Leith, Edinburgh

For documentary purposes, I also took a photo of the same bedroom from a different angle to show the mirrored wardrobe.

While I’m not a landlord looking to rent a property, I imagine that knowing the property management company is going to market my rental flat with good photos signals they are willing to go the extra mile in terms of customer service. And I imaging that the more luxurious the property, the more important to the landlord good photography is. And given that property managers take a percentage of the rent, expensive properties are more lucrative and probably more fun to manage (they clearly are more fun to photograph).

Exterior photograph of building in Rennie's Isle, Leith, Edinburgh

Exterior shots can be tricky, given the temperamental nature of the Scottish weather. On this day, it was cloudy, so I tried to limit the amount of sky showing in the photograph. I also love diagonals, as they give pictures a more dynamic look.

Light Painting a Dancer in Stockbridge: Juan

About a year ago, I had plans to do a light painting session in Stockbridge, Edinburgh, with singer/songwriter Anna McLuckie. Unfortunately  we had to switch to an indoor location due to very poor weather. In a way it was a blessing because the pictures turned out great (you can see them here). But it was also a shame because I really liked the location we had picked for the shoot, McKenzie bridge.

Light painting of dancer framed with one arch of McKenzie bridge, in Stockbridge, Edinburgh

Framing within a frame is a favourite composition tools of mine. I couldn’t resist framing my model with one of the arches of McKenzie bridge.

Interestingly, dancer  Juan Barton had expressed interest in my personal light painting project and in Stockbridge as a potential location for the shoot. McKenzie bridge immediately came to my mind and we quickly agreed on the location.

Light painting of male dancer wearing a suit and framed with one arch of McKenzie bridge, in Stockbridge, Edinburgh

I really liked the metal gate and I wanted to reveal it by putting my subject on the right side of the frame.

Because of my previous attempt at shooting there, I already had a number of ideas for photographs, so we got started right away. I really liked this arch and the metal gate, not only for the elements of design they presented but also for the light painting possibilities. We did three poses before moving on to the next set up.

Light painting of male dancer wearing a suit and framed with one arch of McKenzie bridge, in Stockbridge, Edinburgh

The first two poses above would not signal to you than Juan is actually a dancer. So for the last pose with this set up, I asked Juan to assume a more dancer-like stance.

I always ask my subjects to bring a variety of clothes, but typically leave the precise wardrobe choice up to them, although I do stress that I like colourful outfits.  When Juan mentioned he had brought a set of hot pants and a red boa, I wasn’t quite sure what to expect!

Light painting of dancer wearing jeans hot pants and a red boa at McKenzie bridge, Stockbridge, Edinburgh

It was a good thing the location was relatively secluded, as we would have likely drawn a lot of attention given Juan’s outfit and the rather chilly weather.

Since the shoot took place in November, I had to do these last two light paintings quite fast as to not end up with a frozen dancer!

Light painting of dancer wearing jeans hot pants and a red boa at McKenzie bridge, Stockbridge, Edinburgh

I prefer the first pic of this series, but Juan chose this one as his Facebook banner!

Light Painting a Dancer: Kenna

In Edinburgh, the Royal Mile is the street connecting Edinburgh castle to the Palace of Holyrood, the official residence of the Queen in Scotland. Photographically speaking, the Royal Mile and the areas surrounding it offer great opportunities.

light painting of model with brick columns, with blue background

Lines, shapes and texture. Some of the elements of design I look for. Adding colour with creative use of white balance (tungsten) to add colour contrast with Kenna’s purple top.

Kenna and I walked about quite a bit to scout the areas around the Royal Mile. Then I spotted a set of columns near St Giles Cathedral. Lines, shapes and textures aplenty, so I knew there was a photograph there. Because of Kenna’s purple top, I decided to use the tungsten white balance to give the stones a definite blue cast, to provide good colour contrast.

Light painting of model in front of St Giles cathedral on the Royal Mile in Edinburgh, Scotland

The entrance of St Giles Cathedral on the Royal Mile is another location replete with photo opportunities.

We didn’t have to move far for the next set up. The stairs to the entrance of St Giles Cathedral is a location I spotted way back then as I was taking an online photography course.

Light painting of model in front of St Giles cathedral on the Royal Mile in Edinburgh, Scotland

The vertical composition better showcases (in my opinion) the lines and shapes of the background.

As Bryan Peterson, a photographer I really admire, is fond of saying: “What is the best time to take a vertical photograph? Right after you take the horizontal”.

Light painting of model in a close by  the Royal Mile in Edinburgh, Scotland

I really like the urban feel of this building, with the pipes and textured walls.

One of the great lessons I learned from top class photographer is to “work your subject”. Usually, I have some limited time at a given location with my subject, and I therefore like to revisit locations I have used before. That give me the opportunity to work my subject some more. Since I learn new things in between visits, that gives me the opportunity to improve upon the photographs previously taken at that location.

Light painting of model in a close by  the Royal Mile in Edinburgh, Scotland

I prefer this shot over the previous because of i) the pose and ii) the sign over the door is better “light painted”

I had used the building in the above photograph in a shoot with another dancer, Jennifer. I wanted to try a different composition and new poses with Kenna. The picture above is my second favourite photo from the shoot. My favourite picture from the day is the first picture in this post.

Light Painting a Dancer in Leith: Lucy

Leith is a district to the north of Edinburgh, and the area is replete with photographic opportunities. In particular, the surroundings of the port of Leith, the largest deep water port in Scotland, provide a number of good locations for photo shoots.

Light painting of dancer, standing, with a blue steel bridge in Leith, Edinburgh

We started with a simple pose. I had to move in and around the bridge to light paint her face and then her body and the background.

I had noticed ‘the blue bridge in Leith’ a while back, but hadn’t had an opportunity to shoot there until I met Lucy, a dancer who happens to live nearby. I like the colour (blue is my favourite colour), lines, shapes and textures of this location. I’m sure I’ll go back for other shoots.

Light painting of dancer, sitting down, with a blue steel bridge in Leith, Edinburgh

I try, as much as possible, to shoot both vertical and horizontal photographs. I asked Lucy to give me an interesting pose I could frame horizontally.

I had asked Lucy to wear colourful clothes, and I was delighted to see her outfit. And in hindsight, her hair colour provides a nice contrast with the blue background.

Light painting of dancer, sitting down, with a blue steel bridge in Leith, Edinburgh

I was worried that in the previous photo, Lucy’s left hand would be a bit too prominent in the frame and that the camera hadn’t properly focussed on her face. So we did another light painting with this set up and a slightly different pose.

Dancers are very comfortable with their body, so I let Lucy try a number of poses. Apart from the first photo above, it was clear to me I would not have gotten the same type of photographs with a model rather than a dancer.

Light painting of dancer, standing and bending backwards, with a blue steel bridge in Leith, Edinburgh

I like to start the light painting session with poses I know the dancer can hold for some time without moving. Once I have a couple of shots ‘in the bag’, I like to try more demanding poses. Lucy did an incredible job standing still during the whole shoot.

Finally, on our way to the bridge we noticed the bronze statue and I knew there was a photograph there. As we walked back we made a quick stop for one last picture.

Light painting a dancer in Leith, Edinburgh next to a statue.

In this photograph, I used the ambient light for the background and only light painted Lucy, the statue and the bench.