Monthly Archives: August 2017

Dance Photography: Emiley and Katie

Being visual artists, dancers definitely need to showcase their abilities with professional photography and/or video. Dance photography is definitely a niche I’d like to develop.  This is why I’ve been doing quite a few personal projects with student dancers.

Emiley and Katie gave me another opportunity to practice my dance photography skills. The shoot for this personal project took place at Edinburgh College, Granton campus, in one of their dance studios.

Jumping dancer in front of black background in a dance studio

For this kind of photograph, timing is everything. Since I used speedlights and their recycle time is quite long, I couldn’t use the motor drive on the camera. I had one try at nailing the shot for every jump.

I love to light dancers with two lights. The lights are placed symmetrically on each side of the dancer, at about 3 metres from the subject and slightly behind. I really like the look of this lighting setup. In the photograph below, you can see the two sets of shadows produced by my two speedlights.

Dancer posing in front of back background in a dance studio.

I chose a low angle for this photograph for a variety of reasons. The dancer’s legs appear slightly longer and I got a nice reflection in the floor.

When I talked to Emily about the kinds of pics we could take, she mentioned that she’s able to ‘jump on the floor’. I had no idea what this meant until she showed me. As you can see from the picture below, we got quite a dynamic photograph out of it.

Dancer acrobatics in front of a black background in a dance studio

Emiley ‘jumping on the floor’. It was tricky to get the timing right for this photograph, as the best picture is obtained while the dancer is in full motion.

I like to work with two dancers, as one of them can rest while I photograph the other. Katie had quite a few moves and jumps up her sleeve too, and the pics below are my two favourites.

Dancer acrobatics in front of a black background in a dance studio

A low camera angle (I was on the floor with Katie) was definitely required for this pose. The timing was pretty much like for jumps. Click the shutter at the moment the dancer movement stops.

Dancer jumping in front of a black background in a dance studio.

I always include the floor in jump shots, as it allows one to see how high the dancer can jump.

At the end of the session, I took photographs of Emiley and Katie  together. For these I changed the lighting setup to have a main light in an umbrella and a bare speedlight as a back light.

Two dancers holding hands in front of black background in a dance studio.

I just love this shot.

Two dancers in front of black background in a dance studio

This is my other favourite picture from the two dancers set up. I really like the shapes produced by the legs and bodies of the two young ladies.

I also did some light paintings of Emiley and Katie. I will present these in the next blog post.

 

 

Coulours of the Edinburgh Festival: Circus Hub

In the last blog post, I gave a preview of Circus Hub, the very colourful Edinburgh Festival attraction.

Colours at the Edinburgh International Festival, Circus Hub

I had my composition, using the lines, shapes and colours of the walls, and I just needed to wait for someone to take a peak. People also give photographs a sense of scale.

Circus Hub is surrounded by a very colourful wall, and the same colour scheme is found inside. I can’t remember exactly how much time I spent, but I’d say it easily took me a couple of hours to explore the various photographic opportunities at Circus Hub.

Colours at the Edinburgh International Festival, Circus Hub

The same colours could be found inside Circus Hub

Colours at the Edinburgh International Festival, Circus Hub

Some of the details, like this fence, also provided interesting compositions.

Colours at the Edinburgh International Festival, Circus Hub

I used the wall to provide a colourful background for the lights. It was a bit too early for the lit bulbs to clearly show. I wonder what the pic would look like taken a few hours later, during the blue hour, but I didn’t get the chance to go back.

When you are faced with a subject so rich in photographic opportunities, you may want to revisit some of the places you’ve been to. It’s very easy to miss a good shot, and the more you work your subject, the better you see.

Colours at the Edinburgh International Festival, Circus Hub

I’m always intrigued by the contrast of man-made objects and natural ones. In this case, the variety of bight coloured regular shapes versus the more muted colours and irregular patterns of the tree.

Colours at the Edinburgh International Festival, Circus Hub

This bench with the sweater makes me wonder who was there and what happened. If benches could talk, we surely would hear some interesting stories.

Colours at the Edinburgh International Festival, Circus Hub

Another composition with the fence from the photo above, this time from a higher point of view. I was drawn to this composition by the light on the wall.

Finally, don’t forget to get in closer and look at some of the details of the scene in from of you. You may be very surprised (and delighted) by what you get.

Colours at the Edinburgh International Festival, Circus Hub

Blue and yellow are two colours that came make your images ‘pop’

Colours at the Edinburgh International Festival, Circus Hub

Moving to a slightly different spot, I managed to get only the blue and yellow colours in my composition.

Colours at the Edinburgh International Festival, Circus Hub

Purple and blue are also two contrasting colours that can make your pictures ‘pop’. But I needed another element in the frame to make the composition more interesting. Fortunately someone happened to stop by and engage in a conversation with someone else. His feet provided the missing element in the picture.

 

Edinburgh International Festival: Colour Abstracts

Circus Hub is one of the most colourful attractions at the annual Edinburgh International Festival, which is why it immediately got my attention.

Colour abstract obtained with camera movement

For this photo, I stood in front of a colourful wall and moved the camera up and down during the 1/4 sec exposure

When I see a colourful subject, I like to explore abstract pictures using camera movement during a long exposure or in camera multiple exposures. It is a taste I acquired by following one of my favourite photographers, Bryan F. Peterson.

Colour abstract obtained with camera movement

As the ambient light level fell for some time, I was able to use longer shutter speeds, like 1 sec for this photograph. Along with the up and down movement, there was also a little bit of sideways motion to add to the blur.

With this particular wall, I first tried camera movement. The brightness level of the ambient light varied quite a bit while I was taking photographs, which is pretty much par for the course in Scotland. I was able to use shutter speeds between 1/4 sec and 1 sec. I had the most success moving the camera up and down or up and down and a little bit sideways.

Colour abstract obtained by rotating the camera between each of the three exposures, and combined in camera

For this picture, I rotated the camera clockwise by about thirty degrees or so after the first and second exposures.

I next moved to multiple exposures. I had the most success when I rotated the camera between each of the three exposures. It took a bit of experimentation to get something I like but it’s always fun to do.

Colour abstract obtained by rotating the camera between each of the three exposures, and combined in camera

For this photograph, I rotated the camera a bit more. I believe I took one pic horizontal, one at forty-five degrees and one vertical.

Next time you find a colourful bed of flowers or painted wall, why don’t you try some camera movement and multiple exposures. I warn you, the process can be addictive.

Colour abstract obtained by rotating the camera between each of the three exposures, and combined in camera

I moved to a different part of the coloured wall, and tried again the horizontal, forty-five degrees and vertical shots.