Monthly Archives: February 2015

Light Painting Comedienne Juliette Burton

Last December, I had the wonderful opportunity to photograph Juliette Burton.

Juliette is an award-winning actress, writer and performer, whose last show “Look At Me” received raving reviews in the national press at the Edinburgh fringe festival 2014.

At the time Juliette was about to move to London and wanted some photographic memories of her beautiful Edinburgh flat. I was very happy to oblige because I relished the challenge of light painting a new type of environmental portrait.

Light painting of actress, writer and performer Juliette Burton in her Edinburgh flat, sitting in a chair

Juliette wanted to be photographed in front of this wall. I really liked the two open doors and the story they tell, so the framing of the photograph pretty much worked itself out.

I really love working with artists. They are very engaged during the shoot and it makes my job as a photographer easier. In all the photographs, there are a number of items included whose true meaning only Juliette knows!

Light painting of actress, writer and performer Juliette Burton sitting in front of  the fireplace in her Edinburgh flat

Juliette particularly liked the fireplace in her flat. This is my favourite of the four set ups we tried.

But the beauty of photographs is that you can interpret them in your own way, even if that isn’t what the subject and photographer intended. And I’m sure you can create your own story with each of the photographs shown here.

Light painting of actress, writer and performer Juliette Burton standing by  the fireplace in her Edinburgh flat

This is my second favourite of the fireplace setups. The wall was rather bland, and you may have notices that I overlaid a texture on top of the photographs to make the wall a bit more interesting.

Juliette was a joy to collaborate with. A subject is always vulnerable in front of the camera, and she/he must trust the photographer to do them justice. Juliette and I first met on the photo shoot and I was very grateful she trusted me from the beginning. That is why I’m really delighted she likes the results.

Impressionist Photography: Fall Forest Multiple Exposures

In my previous blog post, I showed some fall forest impressions obtained by panning the camera. Another impressionist technique I like is taking multiple exposures in camera. In some cases it produces images I like better than the ones I get from panning the camera, but in other instances panning is the way to go. I make every effort to take pans and multiple exposures of the same subject, and chose the ones I prefer later on. And sometimes, I can’t decide.

Multiple exposures of fall forest in Blackford Hill, Edinburgh

This is one subject where panning didn’t really work for me. I much, much prefer this multiple exposure version. Taken in Blackford Hill, Edinburgh.

Finding subjects that work with multiple exposures is a matter of trial and error. I stumbled upon trees as a good subject for this technique while walking in Princes Street Gardens, Edinburgh. I then tried the technique on multiple trees in the forest of Blackford Hill. Since I liked the results, I decided to go back to the same location to document the seasonal changes.

Multiple exposure photograph of the fall forest in Blackford Hill, Edinburgh.

This is another example of a multiple exposure version woking better than the panning shot. And I would not have been able to decide which technique worked best prior to taking the photos.

I do these kinds of personal projects because they help me refine my vision as a photographer. When starting out in photography, one is very often frustrated because the images out of the camera do not correspond to what one saw on location. This is because the digital camera doesn’t see the world the way we do.

Multiple exposure photograph of the fall forest in Blackford Hill, Edinburgh

This scene is one example where I like both versions, multiple exposures and panning (see my previous blog post for the panning shot)

It is thus important to be able to visualise in one’s mind what the photograph is going to look like given the scene in front of us.

Multiple exposure photograph of the fall forest in Blackford Hill, Edinburgh.

Here’s another case where I cannot decide if I like the multiple exposure or panning shot better.

My light painting and impressionism projects do require a great deal of pre-visualisation, and I believe they’ll make me a better photographer.

Multiple exposures photograph of Blackford Hill, Edinburgh.

It’s always a good idea to take both vertical and horizontal compositions. I find it harder to take multiple exposures photograph when holding the camera vertically.