This instalment of my personal light painting project had me working with composer, audio producer and musician Frankie Lowe. I was fortunate to meet Frankie through one of my previous light painting subjects, composer and cellist Atzi.
I love working with musicians and artists on these light painting projects, because they relate to the kinds of moody pictures one gets with this technique. They also like the novelty factor. After all, light painting does produce photographs one is not used to seeing, and as an artist it is always good to differentiate yourself. Another great benefit of working with artists and musicians is that they are full of ideas, and no two of them are remotely alike. This guarantees a new and interesting experience every single time.
I decided to gel my LED light torch and picked a cool blue to add colour contrast with the warm tungsten light by the piano. Since bluish people look quite unnatural, I removed the gel when light painting Frankie’s face.
The session with Frankie was no exception. I asked Frankie where he’d like to be photographed, i.e what kind of location would represent him and what he does best. I want my collaborators to like the images I produce and use them to promote themselves. It’s a win win situation. They get something out of the project so it wasn’t a waste of their time, and my pictures get exposure.
Frankie chose to be photographed in his recording studio. This posed a number of challenges, given the tight space, amount of recording equipment and number of musical instruments. While light painting a scene, I need to move around and be able to light the various parts of the scene from interesting vantage points. And the number of objects in the scene created some challenges in composing the photographs. Photography is all about problem solving.
I’ve grown to like environmental portraits of this kind. There are lots of things to keep the viewer looking around the frame. And the light painting adds depth and dimension to the scene.
I’m quite pleased with the final results and especially the experience gained in carrying out this project. I was also delighted by the reactions on Facebook when Frankie updated his banner with the studio photograph above. All in all, time well spent.
The last set up of the session. I experimented some more with colour gels.